Jean Hatzfeld for Le Monde des Livres, April 15  2016
Les Portes du néant, à la frontière turque, s’ouvrent une première fois sur la route qui mène à la région d’Idlib, dans le nord-ouest de la Syrie. Samar Yazbek les franchit en août 2012, en se faufilant dans un trou creusé sous des barbelés. Une voiture l’attend, qui traverse la nuit sur un fond sonore de bombardements, avec à l’intérieur Maysara et Mohammed, deux frères d’armes rebelles : ses anges gardiens.

Sinan Antoon wrote this piece for The Guardian, April 19th, 2016
There was a time when one could speak Arabic on a flight in the United States, or even read a book written in that language, without hesitation or the fear of suffering humiliating consequences. That time is long gone. Many colleagues and friends confess that they try to avoid carrying Arabic or Persian books on flights in order not to invite suspicious looks.

By Farid Farid, for The Guardian, March 2015
“How do you write about a country that is disintegrating?” says Sinan Antoon, on the line from his office at New York University. His words have taken on a more affective valency in recent days, as the notorious militants from Islamic State (Isis) released footage showing the graphic destruction of Assyrian and Akkadian artefacts in Mosul’s central museum.

Betty Rosen for The Point Magazine, March 2016.
Below a few excerpts. VisitThe Point Magazine‘s website for the full article.
(…)
Of the abundant works of fiction produced by Iraqi writers in the past ten years, Sinan Antoon’s The Corpse Washer and Hassan Blasim’s The Corpse Exhibition are two of the comparatively few to have appeared in English translation. Antoon published his novel The Corpse Washer in Arabic in 2010 and his own English translation in 2013. The Corpse Exhibition, published in English in 2014 in a translation by Jonathan Wright, contains short …

Gregoire Lemenager, for Le Nouvel Observateur, March 20th 2016
(…) She who until now scanned the gray areas of the good Damascene society in daring novels ( “Cinnamon” tells the homosexual relationship of a bourgeois with her housekeeper), then published “In the crossfire” (Buchet-Chastel, 2012) and collects literary awards that applaud her courage.

By Jean-Louis Le Touzet, for Liberation, March 20, 2016
Photo credit: Mathieu Zazzo, Liberation
 
Men make war. But a woman, blonde, cat-eyed, 46-year old Syrian of high education was needed to paint Syria’s death. No other brush was ever dipped in as many tears to tell the intoxication of brutality in a country under the yoke of a double punishment: that of a totally deranged regime and that of the unbearable cruelty of fanatical Islamists . To be clear, about Syria, we read everything and read nothing. Rarely such a plunging view of demolition was ever published. This is what this …