A review by David Ulin for the Los Angeles Times, February 8th, 2019
“If you really want to erase or distort a story,” Khaled Khalifa declares in his astonishing new novel “Death Is Hard Work,” “you should turn it into several different stories with different endings and plenty of incidental details.” He’s referring to the salutary comforts of narrative. This — or so we like to reassure ourselves — is one reason we turn to literature: as a balm, an expression of the bonds that bring us together, rather than the …

Review and interview by Antoine Perraud and Faiza Zerouala for Mediapart, January 8th, 2019.
The Lebanese writer Hoda Barakat, captures the torments of refugees, their exile, their dispossession and the challenge posed to our societies, in an original and powerful epistolary novel, Courrier de nuit (Actes Sud). A serious and essential encounter.

Published by World Literature Today, December 2018.
As the year’s news of rising nationalistic strains and attacks against the press continued, the urgent need for translation became ever more apparent. More and more, translation across borders embodies resistance. Honoring all those who take part in this important work, we again offer 75 of the year’s English literary translations.
 
 

A review by Damien Aubel, for Transfuges, December 2018
As all great epistolarians, Madame de Sevigne for example, the immense Lebanese novelist Hoda Barakat knows that the art of correspondence is a metaphysical act. Here, a series of letters, with no direct link, follow each other as many variations on pain, and the exquisiteness of absence.

Hoda Barakat has imagined a correspondence written in haste, by people constantly on the run, all seeking a refuge that does not exist.
Muriel Steinmetz, for L’Humanité, November 22, 2018
Hoda Barakat (born in 1952, in Beirut), author of five novels published in France at Actes Sud, creates characters who wander the planet, men and women. Homeless, they are the victims of misery, social change and the conflicts that plague the world.

Starred review by Kirkus, November 2018

Insistent, memorable portrait of the small indignities and large horrors of the civil war in Syria. A native of the Aleppo district, Khalifa—well-known in the Arabic-reading world but new to most American readers and a winner of the Naguib Mahfouz Medal for Literature—here writes of a family both joined and torn apart by death. The paterfamilias knows that his passing is imminent: The first sentence reads, “Two hours before he died, Abdel Latif al-Salim looked his son Bolbol straight in the eye with as much of …