“Syria has no choice but hope.”

Syrian novelist Khaled Khalifa continues in his new novel No Knives in this City’s Kitchens what he begun in his previous masterpiece, In Praise of Hatred (2006) — excavating contemporary Syrian society’s memory.

He starts from what one family has gone through in Aleppo, which he describes as the punished city, while In Praise of Hatred focused on the distortions made by death squads or the “Party Action Squads” in the psyches of its members during the events in Hama in the 1980s. The novel explores the price paid by Syrians for living parallel to the life of the ruling party for near half a century.

The 260 pages novel details life under the Asad regime, in the period spanning from the early 60’s, to 2005.

First awarded in 1990 to Orhan Pamuk and translator Victoria Holbrook for The White Castle, the Prize ran until 1995 and was then revived in 2000 with the support of Arts Council England, who continue to fund the award. The 2012 prize was won by Aharon Appelfeld and translator Jeffrey M Green for Blooms of Darkness. Khaled Khalifa’s In Praise of Hatred, banned in Syria, has made the longlist for the Independent Foreign Fiction Prize 2013.

While the story is ostensibly a domestic one about the narrator and her wealthy household of aunts who must choose between a life of self-denying spinsterhood or rebellious marriage, at its core it is about violence: the religiously motivated violence of the Muslim Brotherhood, and the counter-violence inflicted by a secular government. The two forces are locked into a mutual cycle of hatred, each atrocity sparking the next.

The aunts are gloriously vivacious and nuanced creations, from Maryam, at war with her own “filthy and rebellious” body, to Marwa, a Juliet figure, chained to her bed to prevent her marrying an officer of the other sect. As party spies multiply, a geography teacher has her clothes torn off for failing a pupil from a Mukhabarat family. In the siege of Aleppo, a fugitive throws himself into a red-hot bakery furnace rather than risk torture. A secret police chief modelled on the president’s brother is a chilling cameo.