Both fellows of the Sharjah International Book Fair’s professional program in 2016, Prozart Media and Bata Press have acquired rights to Arabic literature to translate into Macedonian.

The National, March 29, 2017
he Baghdad Eucharist is a short read but one that lingers long in the mind due to its characters’ candid testimonies. Antoon entrances with both his lavish set-pieces and tight thumbnail sketches. Maha’s miscarriage, together with Youssef’s doomed love affair with a Muslim girl 20 years his junior, show suffering of a different kind. Antoon also manages to convey Youssef’s anguish at the felling and burning of Baghdad’s date palms – “so that the Americans can see the snipers and the snipers can see them”.

Marianne Payot, for L’Express
Published on March 5, 2017
Sinan Antoon brushes off the superb portrait of a man carried away by the maelstrom of the Middle East and raises the veil over Baghdad.
It is the story of a broken destiny, that of a young man who wanted to become a sculptor and who ends up washing the dead. Like his father and all his ancestors before him. A craft that knows no respite in contemporary worn torn Iraq.

Index is without a doubt a literary achievement. The novel explores the limits of literature, and the impossibility for words and for any narrative to convey the extent of the destruction and the feeling of loss.

“Living With Death in Baghdad”
This piece was written by Sinan Antoon, for the New York Times, published on July 20th, 2016
Excerpts below.
When I was growing up in Baghdad, my favorite part of the city was Karrada, the neighborhood on the eastern bank of the Tigris where a bomb went off on July 3, killing at least 250 people. I would often go there just to stroll down its elegant streets. The main one was lined with stylish boutiques and stores selling delicious fresh juice and sandwiches. Attractive women and handsome …

Sinan Antoon wrote this piece for The Guardian, April 19th, 2016
There was a time when one could speak Arabic on a flight in the United States, or even read a book written in that language, without hesitation or the fear of suffering humiliating consequences. That time is long gone. Many colleagues and friends confess that they try to avoid carrying Arabic or Persian books on flights in order not to invite suspicious looks.